This work found me.
My soul always knew.

I entered this world as a teenager. Walking into casting rooms, being scrutinised for the way you look, that is not a healthy foundation for a young girl. When you are chosen, it distorts the ego. When you are not, it confirms wounds you don't yet have words for. I learned to perform what I was not, to hide what I actually carried. It was never my soul's blueprint.

After finishing school and losing my father, I needed something to bring me back to life. The ocean did that. Not gently, but completely. Reading wind, reading water, reading the body's position in relation to forces you cannot control. The nervous system learns fast when the consequences are immediate. I was training somatic awareness before I had language for it.

Then came the music. I wrote over a hundred songs, putting into words and melody all the pain I carried from childhood. I mistook what was becoming a path of music as medicine for a path of music as entertainment. The music industry, like modelling, asked me to perform. That was never the blueprint. But the voice, the voice was always being prepared for something else.

Then everything stopped. The kind of darkness where the simulation can no longer hold. Something broke open, not gently, not on my terms. At 23, what I can only describe as an awakening began. It cracked open a connection to sound, to ancestral memory, to a way of working with the body that I hadn't been taught, but that felt deeply familiar.

A Tibetan singing bowl that had sat untouched for years. One day, something shifted. I heard it in my body before I heard it in the room: it is time. Within minutes I was in a state I had never accessed before. That day I understood what ancient civilisations always knew: sound penetrates every level of the physical, emotional, and energetic body.

That moment set everything in motion. Jonathan Goldman introduced me to the foundations of sound healing. Kimba Arem taught me the didgeridoo. Michele Averard and Nestor Kornblum trained me as a certified sound healing practitioner. Alongside formal training, I went deeper, self-studying quantum mechanics, holographic principles, and the physics of vibration.

While the awakening was unfolding, I joined Aardman Animations, literally constructing simulations for a living, while living inside one I was actively dismantling. This career trained my eye for architecture, for the invisible frameworks that hold visible things together. But with each passing year, the soul's calling grew louder.